Moten is also co-author, with Stefano Harney, of The Undercommons: Fugitive Planning and Black Study (Minor Compositions/Autonomedia, 2013) and A Poetics of the Undercommons (Sputnik and Fizzle, 2016) and, with Wu Tsang, of Who touched me? (If I Can’t Dance, I Don't Want to be Part of Your Revolution, 2016). Jenkins (Duke University Press, 2010) The Feel Trio (Letter Machine Editions, 2014), The Little Edges (Wesleyan University Press, 2015), The Service Porch (Letter Machine Editions, 2016), a three-volume collection of essays whose general title is consent not to be a single being (Duke University Press, 2017, 2018) and All that Beauty (Letter Machine Editions, 2019). He is author of In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003) Hughson’s Tavern (Leon Works, 2009) B. Moten teaches courses and conducts research in black studies, performance studies, poetics and critical theory. from the University of California, Berkeley. Fred Moten is Professor in the Department of Performance Studies, Tisch School of the Arts.
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